Chris has around 20 releases since 1991, mostly under his own name, while moonlighting as a metal guy and otherwise collaborating.
We discuss “She Looks Good in Black” from Obsolete Path (2025), “Intransitive Proverb” from Limitations of the Source Tape (2017), and “Angel Be Mine” from Your Own Chosen Speed (2001). End song: “Sisiphus” by Däng from Tartarus: The Darkest Realm (2014). Intro: “Every Time” by Flat Earth from Prefacipice (1991). More at chrischurch1.bandcamp.com
Illinois singer/bassist Paul had his first release in 1985 and joined with drummer Ric Menck to form a band eventually called Velvet Crush, which released six albums from 1991-2004. He has since played in Matthew Sweet’s band and has released two albums under the name The Small Square.
We discuss “Can’t Let Go (Oh, Tommy)” by The Small Square from Ours & Others (2023), “California Incline” by Velvet Crush from Stereo Blues (2004), and “Flower Field” by Choo Choo Train from Briar Rose EP (1988). Intro: “Hold Me Up” by Velvet Crush from Teenage Symphonies to God (1994). End song: “SML” from The Small Square (2015, remastered 2023). More at smallsquaremusic.com and actionmusik.bandcamp.com.
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Bill has been a hit-making country songwriter for his duo Foster and Lloyd as well as artists like Martina McBride and Trisha Yearwood, but his true love has been power pop, starting with Sgt. Arms (our intro song is the 1982 single, “Caught in Traffic,” a 1982 single) through his 10+ solo albums.
We discuss the title track from Don’t Kill the Messenger (2020), “What Time Won’t Heal” (co-written with Graham Gouldman) from Working the Long Game (2018), and “Off and Running” a track from the expanded version of his first solo album Feeling the Elephant (1987). End song: “Rough Edges” by Cimarron 615 (a 2022 take on a song that he wrote with Rusty Young and Radney Foster for the band Poco). More at billlloydmusic.net.
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Bob has released 20+ albums since the early ’80s. We discuss “Forecast of Rain” from Blue Hearts (2020), “I Don’t Know You Anymore” from Beauty & Ruin (2014), “JC Auto” by Sugar from Beaster (1993), and “In A Free Land” by Hüsker Dü, 1982 singe remixed for Savage Young Du (2017). End song: the title track to his new acoustic EP, The Ocean. Intro: “If I Can’t Change Your Mind” by Sugar from Copper Blue (1992). For more see bobmould.com.
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Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013).
We discuss “Down So Low” (intro: “Love Is the Problem”) from The Easy Thing (2008), “Manager” from Impossible Things (2011), and “Local” and “At the Time” from Might Get It Right (2013), plus “We Who Have Escaped” (later in 2013, released on Songs from the Partially Examined Life). Intro: “Love Is the Problem” also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com.
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Roger rose to fame as keyboardist/songwriter for Jellyfish in the early ’90s, then formed Imperial Drag, The Moog Cookbook, TV Eyes, backed Beck, and finally released two albums under his own name starting in 2006. He’s recently released a solo EP and one with The Likerish Quartet that reunites him with some other members of Jellyfish.
We discuss “Lighthouse Spaceship” by The Lickerish Quartet from Threesome, Vol. 1 (2020), “The Turnstile at Heaven’s Gate” from Catnip Dynamite (2008), “Time to Time” by Malibu (a solo techno project) from Robo-Sapiens (2007), and listen to “Operator” from his solo Glamping EP (2018). Intro: “The King is Half-Undressed” by Jellyfish from Bellybutton (1990). For more, see thelickerishquartet.com and rogerarranging.com.
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Matt released 4 albums and got on a major label with Trip Shakespeare in the late ’80s, released a solo album in ’98, ran bands with fellow Tripper John Munson for three albums over many subsequent years, ad has now released his first album as Matt Wilson & His Orchestra, When I Was a Writer.
We discuss “Decent Guy” and listen to the title track from that album and look back to “Dreams” by Twilight Hours from Stereo Night (2009) and “Sun Is Coming” from his solo album Burnt, White, and Blue (1998). Intro/outo: “Toolmaster of Brainard” by Trip Shakespeare from Are You Shakespearienced (1989). For more see minneapolismatt.com.
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Ian has released ten studio albums and three EPs since 1993, starting as an Austin guitar hero and evolving into an eclectic, subtle Seattle songwriter who teaches songwriting courses.
We discuss “1000 Blackbirds” from Toronto (2018), the title track from Strange Days (2017), and “Abilene” from Luminaria (2004). End song: “Sad Affair” from El Sonido Nuevo (2011). Intro: “Satisfied” from Ian Moore (1993). For more, see ianmoore.com.
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