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Song Analysis with the Songwriter

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NEM#184: Mike Baggetta Feels Out the Guitar

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Mike has put out 18 releases of largely instrumental guitar music since 2004 and is now playing with legendary bassist Mike Watt and with drummer by either Jim Keltner.

We discuss the title track to Everywhen We Go (2022), “Hospital Song” from Wall of Flowers (2019), and “The Mystery Of” from Main Street Stop Valve (2020). End song: “(What’s So Funny ‘Bout) Social Justice” from mssv Meets Nels Cline (a 2022 EP). Intro: The title track by Tin/Bag from There, Just As You Look For It (2005). For more see mikebaggetta.com.

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NEM#183: Neil Gust (No. 2, Heatmiser) Walks Around

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Neil is known as the long-time collaborator of the late Elliot Smith in the Portland band Heatmiser, which released three albums and an EP starting in 1993. Then Neil fronted the band No. 2 for two albums before taking a break until recently from music.

We discuss “You Might Be Right” (and listen at the end to “I’m on a Mission”) from the new No. 2 album First Love, “Critical Mass” from No Memory (1999), and “Why Did I Decide to Stay” by Heatmiser from Cop and Speeder (1994). Intro: “Rest My Head Against the Wall” by Heatmiser from Mic City Sons (1996). Hear more at no2music.bandcamp.com.

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NEM#182: Allan and Barb Vest Together as doubleVee

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Through the 00’s and four studio albums, Allan led the “baroque pop” Oklahoma band Starlight Mints. Then he met his wife Barb; as doubleVee, they’ve released two albums and an EP since 2017.

The three of us talk about “The Middle Side of Me” from Treat Her Strangely (2022), then the title track from Jack the Rider (2017), then “Submarine #3” by Starlight Mints from The Dream That Stuff Was Made Of (2000). End song: “Map the Channels” from Songs for Birds and Bats (2019). Intro: “Eyes of the Night” by Starlight Mints from Drowaton (2006). More at doublevee.net.

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NEM#181: Robyn Hitchcock Forgets Himself, Sharply

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Robyn has been producing a distinctive flavor of very British rock with surrealist lyrics for 35+ albums since 1979.

We discuss “The Raging Muse” (and close by listening to “The Shuffle Man”) from Shufflemania (2022), “Mad Shelly’s Letterbox” from Robyn Hitchcock (2017), “Television” from Spooked (2004), and “Glass” from Fegmainia! (1985). Intro: “I Wanna Destroy You” by The Soft Boys from Underwater Moonlight (1980). More at robynhitchcock.com.

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NEM#180: Rebecca Pidgeon’s Inner Speech

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Rebecca has balanced her musical career with her acting career since the mid ’80s, starting in Scotland with Ruby Blue and then moving to New York in 1989 and releasing 10+ solo albums.

We discuss “Silent Sound” from Parts of Speech Pieces of Sound (2022), the title track to the Stark Naked EP (2020), and “24 Hours of Love” from New York Girls’ Club (1996). End song: “You Have Got My Number” from Blue Dress On (2013). Intro: “So Unlike Me” by Ruby Blue from Glances Askances (1987). More at rebeccapidgeonmusic.com.

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NEM#179: Mike Lindup’s Atlantean Visions and Level 42

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Mike played keyboards and shared lead vocals for synth jazz-pop Level 42’s initial run for nine albums from 1982-1994 (and rejoined in 2006) and is working on his fourth solo release.

We talk about his new single, “Atlantia,” plus “Madness” from On the One (2011) and Level 42’s “Weave Your Spell” from The Pursuit Of Accidents (1982). End song: “Heart of the Matter” from Conversations with Silence (2003). Intro: “Something About You” by Level 42 from World Machine (1985). More at mikelindup.com.

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NEM#178: Chastity Brown in Wonderment

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Chastity has since 2007 released seven albums from Minneapolis that she calls “new blues,” but which spread into pop, Americana, soul, and Irish-flavored spirituals.

We discuss “Wonderment” and listen at the end to “Back Seat” from Sing to the Walls (2022), “Drive Slow” from Silhouette of Sirens (2017), “Many Prayers” from Do the Best You Can (2007). Intro: “Colorado” (a 2014 single included on 2017’s Silhouette of Sirens). More at chastitybrownmusic.com.

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NEM#177: Susan Cattaneo Leaves Nashville and Finds Herself

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Susan teaches songwriting at Berklee and has released six albums since 2009. She wanted to be a Nashville songwriter, decided to then sing country songs herself, but that felt phony, so she remade her whole style.

We discuss “Broken Things” (and listen at the end to “Time + Love + Gravity”) from All Is Quiet (2022), “Revival” from Haunted Heart (2014), “Shave” from Heaven to Heartache (2011). Intro: “Work Hard Love Harder” from The Hammer & the Heart (2017). More at susancattaneo.com.

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NEM#176: Bill Lloyd’s Power Pop from Nashville

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Bill has been a hit-making country songwriter for his duo Foster and Lloyd as well as artists like Martina McBride and Trisha Yearwood, but his true love has been power pop, starting with Sgt. Arms (our intro song is the 1982 single, “Caught in Traffic,” a 1982 single) through his 10+ solo albums.

We discuss the title track from Don’t Kill the Messenger (2020), “What Time Won’t Heal” (co-written with Graham Gouldman) from Working the Long Game (2018), and “Off and Running” a track from the expanded version of his first solo album Feeling the Elephant (1987). End song: “Rough Edges” by Cimarron 615 (a 2022 take on a song that he wrote with Rusty Young and Radney Foster for the band Poco). More at billlloydmusic.net.

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NEM-Pretty Much Pop Crossover: So-Called Greatest Albums Feat. Mobley, Noah Berlatsky, Jon Lamoreaux

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It’s a music discussion episode! How does canonization work in popular music? Is Rolling Stone’s 500 Best Albums of All Time list just a modest record of the favorite albums of people associated with Rolling Stone? Is it a statement of what “experts” in popular music enjoy? Does it reflect English-American popularity, and what responsibility to list-makers have to experience and include world music, indie music, and other music by those not powerful enough to have promotional backing?

Mark is joined by  journalist Noah Berlatsky (who wrote The Best Greatest Albums of All Time Ever), musical artist Mobley, and The Hustle podcast host Jon Lamoreaux to discuss the album as a format, music curation, the subjectivity of taste, and our childhood love affairs with particular albums.

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NEM#175: Richie Ramone Builds His Own Brand

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Richie Reinhardt drummed for The Ramones for three albums and has released two solo albums and some singles. We discuss his new single “Not Afraid,” his 2013 solo version of “I Know Better Now” from Entitled (2013), “Human Kind” by Ramones from Too Tough to Die (1984), and “I Fix This” from Cellophane (2016). Intro: “Somebody Put Something in My Drink” by Ramones from Animal Boy (1986). End song: “The Last Time” (a 2018 single). For more see richieramone.com.

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NEM#174: Drew Grow’s Subconscious is the Through Line

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Portland’s Drew Grow has put out around 10 albums since the 90s, gradually developing his jagged, visceral style through several projects. We discuss the title track from Cockroach in a Ghost Town, the debut album from his new band Slang with Janet Wiess, then “Abandon” from the eponymous album by Modern Kin (2014), and “Spider” from his debut solo album Next Lips (2007). End song: “King Gunn” also from the new Slang album. Intro: “Lights” by Careen from Crash Couture (2005).

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NEM#173: Queen Esther Proves It

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Queen Esther started releasing her solo albums mixing Americana and jazz in 2004, with her fifth in the works now. 

We discuss “The Whiskey Wouldn’t Let Me Pray” from Gild the Black Lily (2021), “Somebody Else’s Baby” from The Other Side (2014), and “Trouble” from by Hoosegow (Queen Esther and Elliot Sharp) from Mighty (1996). End song: “Where Is Home?” from Rona (forthcoming). Intro: “Help Me” from Talkin’ Fishbowl Blues (2004). For more see queen-esther.com.

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NEM#172: Mark Stewart (The Pop Group): Mad Processing w/ Haikus

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Mark led the Pop Group through two albums in the late 70s two later reunion album and has released nine solo albums of trippy, experimental dance music.

We discuss “Rage of Angels” (feat. Front 242) from VS (2022), “Age of Miracles” by The Pop Group from Citizen Zombie (2015), and “Liberty City” by Mark Stewart & the Maffia from Learning to Cope with Cowardice (1983). End song: “Cast No Shadow (Leather Strip Mix)” by feat. Stephen Mallinder and Eric Random from VS. Intro: “She Is Beyond Good and Evil” by The Pop Group from Y (1979). More at markstewartmusic.com.

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NEM#171: Ben Vaughn’s Primitive Fever Dreams

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Ben has released over 20 albums of retro rock since the early ’80s, written for TV soundtracks, produced bands like Ween, and hosts a radio show.

We discuss “Wayne Fontana Was Wrong” from The World of Ben Vaughn (2022), “I’m Sorry (But So Is Brenda Lee)” from Vaughn Sings Vaughn (Vol. 1) (2007), “Too Sensitive For This World” from from Dressed in Black (1990), and “Candyman” by Alan Vega, Alex Chilton, Ben Vaughn, from Cubist Blues (1996). We listen to his lockdown single, “Dancing in My Mind.” Intro: His 1985 single, “My First Band.” For more, see benvaughn.com.

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NEM#170: Bob Mould From Hüsker Dü to Sugar to Now

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Bob has released 20+ albums since the early ’80s. We discuss  “Forecast of Rain” from Blue Hearts (2020), “I Don’t Know You Anymore” from Beauty & Ruin (2014), “JC Auto” by Sugar from Beaster (1993), and “In A Free Land” by Hüsker Dü, 1982 singe remixed for Savage Young Du (2017). End song: the title track to his new acoustic EP, The Ocean. Intro: “If I Can’t Change Your Mind” by Sugar from Copper Blue (1992). For more see bobmould.com. 

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NEM#169: Wesley Stace (aka John Wesley Harding) Likes Words

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Wesley started performing as John Wesley Harding in the late ’80s (often eliciting comparisons in his early work to Elvis Costello), moved from England to the U.S. in 1991, and has 20+ releases, switching to his own name in 2013 as a result of his success as a novelist.

We discuss “The Impossible She” (and end by listening to “Come Back Yesterday”) from Late Style (2021), whose music was written by David Nagler; “When I Knew” from Wesley Stace (2013), and “Your Ghost (Don’t Scare Me No More)” from Awake (1998). Intro: The title track from Here Comes the Groom (1990). For more see wesleystace.com.

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NEM#168: Clive Nolan (Arena, Pendragon, etc.) Moves Forward Relentlessly

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Clive is a keyboardist, orchestrator, singer, and composer of three musicals and several concept albums as a solo artist or collaborator. He’s played with Pendragon since 1986 and has led the bands Shadowlands and Arena since the 90s.

We discuss “Dragon Fire” from his most recent solo album, Song of the Wildlands (2021), “Silent Words” from his musical King’s Ransom (2017), and “The Tinder Box” by Arena from The Seventh Degree of Separation (2011). We conclude by listening to “A Descent into Madness” by Clive Nolan and Oliver Wakeman from Dark Fables (2021). Intro: “The Key” by Strangers on a Train from The Key Part 1: Prophecy (1990). More at clivenolan.net.

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NEM#167: David Christian (Comet Gain) Sings for the Awkward and the Wayward

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David has released 8 albums and some EPs as the London-based Comet Gain since 1994, putting out literate, energetic, sloppy rock, typically splitting the lead vocals with a female voice. As a pandemic project, he just released his first album under his own name.

We discuss “Mum’s and Dad’s Other Ghosts” from Those We Met Along the Way (2021), “An Arcade From The Warm Rain That Falls” from Howl of the Lonely Crowd (2011), and “The Kids at the Club” from Realistes (2002). End song: “Mid 8Ts” from Fireraisers Forever! (2019). Intro: “Strength” from Magnetic Poetry (1997). More at comet-gain.bandcamp.com.

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NEM#166: L. Shankar’s World of Violin and Voice

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Shankar played with John McLaughlin in Shakti in the mid-70s and has released over 25 solo albums while backing A-list artists including Phil Collins, Peter Gabriel, Frank Zappa, Elton John, Bruce Springsteen, Eric Clapton, Metallica, Korn, and more.

We discuss “Can’t Wait” (feat. Jonathan Davis) from Chepleeri Dream (2020), “Back Again” from M.R.C.S. (1991), and “Darlene” from Touch Me There (1979), plus we introduce “Savior” from Christmas from India. Intro: “Psychic Elephant” from Vision(1983). For more, see lshankar.com.

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NEM#165: Paula Cole Beautifully Picks at Wounds

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The Grammy winner and 90s hitmaker has released 10 studio albums since 1994 after backing Peter Gabriel on his Secret World tour in the early ’90s.

We discuss “Blues in Gray” from Revolution (2019), “Father” from 7 (2015), and “Hush, Hush, Hush” from This Fire (1996). We also listen to “Steal Away/Hidden in Plain Sight” from American Quilt (2021). Intro: “I Don’t Want to Wait,” also from This Fire. For more, see paulacole.com.

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NEM#163: Lilli Lewis Is Not Just a Jazz-Singing Pianist

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Lilli is also an activist, folk-rock diva, and record label exec. She’s released 10 albums and 3 EPs since 2003. We discuss “Coffee Shop Girl” and listen to “Copper John” from Americana(2021), “Warm and Gentle People” from We Belong (2019), and “Song for the End of Days” from Castles of Her Crystalline (2005). Intro: “Lady” from The Coming of John (2003). Hear more at folkrockdiva.com.

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NEM#162: Ray Benson (Asleep at the Wheel): Texas Swing for Half a Hundred Years

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Ray started Asleep at the Wheel in 1969 and has put out 26 albums of original tunes and classic covers while touring constantly.

We discuss the title track from Half a Hundred Years (2021), “Pedernales Stroll” from Keepin’ Me Up Nights (1990), and “Am I High” from The Wheel (1977). Intro: “The Letter (That Johnny Walker Read)” from Texas Gold (1975). Closer: “The Road Will Hold Me Tonight” feat. Emmylou Harris and Willie Nelson, recorded in the early 80s but only released now on the new album. Learn more at asleepatthewheel.com.

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NEM#161: Chuck Prophet Is On the Couch

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Chuck joined Green on Red as guitarist in 1985 and has released 15 solo albums of tuneful guitar rock since 1990, touring constantly and doing a lot of co-writing.

We discuss “Womankind” from The Land That Time Forgot (2020), “Your Skin” from Bobby Fuller Died for Your Sins (2017), “Castro Halloween” from Temple Beautiful (2012). We conclude by listening to “Wish Me Luck” from Night Surfer(2014). Intro: “Summertime Thing” from No Other Love (2002). For more see chuckprophet.com.

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NEM#160: John McCutcheon Learns the Lessons of Folk

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John has released 45 albums since 1975 of original folk, traditional folk, children’s music (garnering six Grammy nominations for those), and instrumentals: He is fluent on guitar, banjo, violin, dulcimer, and more.

His songs very often tell stories, and we discuss several of those: “Atonement” from Bucket List (2021), “Soup” from Wintersongs (1995), and “Water from Another Time” from Gonna Rise Again (1987). We end by listening to “The Night John Prine Died” from Cabin Fever: Songs from Quarantine (2020). Intro: “Christmas in the Trenches” from Winter Solstice (1984). For more, see folkmusic.com.

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NEM#159: Steve Bartek (Oingo Boingo) Is a Writer, Not Just an Arranger

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Steve is best known as guitarist/arranger for Oingo Boingo through their eight albums from 1981-1995 and for following its leader Danny Elfman into a life creating movie soundtracks. However, his activity as composer goes all the way back to the late ’60s.

We discuss “Tango” by jackiO from their self-titled album (2019), “The Wake” and “Checking Out/Streets of Managu” from his soundtracks to Guilty as Charged (1991) and The Art of Travel (2008), and “Rainy Day Mushroom Pillow” by Strawberry Alarm Clock from Incense and Peppermints (1967). Outro: “Nothing to Feel” by Fejj from Alive (1979) Intro: the title track to Dead Man’s Party by Oingo Boingo (1985).

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NEM-Pretty Much Pop Crossover: The Music of Your Youth w/ Jon Lamoreaux

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To what degree to our childhood favorites persist into adulthood? Are we doomed to love the songs of our generation best? What causes the generation gap in musical tastes?

Your host Mark Linsenmayer, plus Pretty Much Pop regulars Erica Spyres and Brian Hirt, and Jon, the host of The Hustle Podcast, share their nostalgia and discuss “guilty pleasures,” the different pre-critical stages at which songs burrow themselves into our brains, aging pop stars, film soundtracks, and more.

For more Pretty Much Pop, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

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NEM#158: Dar Williams: Songs as Thought Processes

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Dar has released 11 albums on labels since 1993 of highly literate, introspective folk-pop songs. We discuss “Berkeley” (and listen to “Today and Everyday”) from I’ll Meet You Here (2021), “Empty Plane” from Emerald (2015), and ” Are You Out There” from End of the Summer (1997). Intro: “As Cool As I Am” from Mortal City (1996). For info see darwilliams.com.

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NEM#157: DEVO’s Gerald V. Casale: Guises of Social Critique

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Jerry is DEVO’s co-frontman and chief philosopher. They’ve released nine albums since 1978. His solo career has been sporadic, with a release as Jihad Jerry & the Evildoers in 2006 and a few singles. We discuss his new song and video “I’m Gonna Pay U Back,” and one of those Jihad Jerry tracks (that album now reissued to include the new track) “The Owl,” and the 1979-recorded Devo track “Fountain of Filth” (released on Hardcore Devo Vol. 2). We conclude by listening to his 2016 single “It’s All Devo.” Intro: “Whip It” by Devo from Freedom of Choice (1980). For more see geraldvcasale.com.

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NEM#156: Emma-Jean Thackray’s Modern Mix of Jazz, R&B, and More

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Emma-Jean is a trumpeter, singer, multi-instrumentalist, and techie who runs her own label. She’s had five releases since 2016. We discuss “Say Something” (and listen at the end to “Spectre”  from Yellow (2021), “Open – Remix feat. Blu” (a 2020 single), and “Um” from Um Yang (2020). Intro: “Baro Bop” from Walrus (2016). For more see emmajeanthackray.com.

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NEM#155: Melvin Gibbs Protests w/ Bass, Jazz Composition, Production, Sound Design

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Melvin has played bass on over 200 albums since 1980 in the worlds of jazz, rock, and hip-hop, and has numerous songwriting credits, playing with Defunkt, Arto Lindsay, Henry Rollins, Bernie Worrell, Vernon Reid, etc.

We discuss his solo tune featuring Kokayi “Get Some” from 4+1 Equals 5 for May 25 (2021), the title track from The Terror End Of Beauty (2018) by his trio Harriet Tubman, and “Howard Beach Memoirs” by Power Tools (with Bill Frisell and Ronald Shannon Jackson) from Strange Meeting (1987). We end by listening to “Canto por Odudua” by Melvin Gibbs’ Elevated Entity from Ancients Speak (2009) Intro: “Melvin’s Tune” from Defunkt (1980). More at music.melvin-gibbs.com.

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NEM#154: Chris Connelly (ex-Revolting Cocks/Ministry): From Apocalyptic Industrials to Poets in Love

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Chris started in the Scottish electronic band Finitribe in the early ’80s and then moved to Chicago in 1988, doing stints in Revolting Cocks, Ministry, Pigface, et al, before embarking on a 23-album solo career.

We discuss “A Phantom Marriage” from The Birthday Poems (2021) feat. Monica Queen, the title track from Bloodhounds (2018), “De Testimony” by Finitribe from Let the Tribe Grow (1986), plus we listen to “God Gets Religion” by Cocksure from Operation C.O.C.K.S.U.R.E. (2020). Intro: “Stowaway” from Whiplash Boychild (1991). For more see chrisconnelly.com and thebirthdaypoems.com.

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NEM#153: Steve Kilbey (The Church) Reveals the Secrets to Being Prolific

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Steve has written over 1000 songs across 17 Church albums starting in 1980, 13 solo albums and numerous collaborations. His style is theatrical and psychedelic, and his lyrics aim for “maximum ambiguity.”

We discuss “Love Song Yet to Be Named” from The Hall of Counterfeits (2021) and some tunes by The Church: “Another Century” from man woman life death infinity (2017) and “Is this Where You Live?” from Of Skins and Heart (1981). Intro: “Under the Milky Way” from Starfish (1988). We conclude with the title track from Steve’s solo album Sydney Rococo (2018). More at thechurchband.net and thetimebeing.com.

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NEM#152: Glen Phillips (Toad the Wet Sprocket) Builds His Capacity

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Glen led smooth alt rock legends Toad the Wet Sprocket from ’88 to ’97 through six albums, has released 7 often folky solo albums (and 3 more Toad albums since their reunion) since then plus various side projects.

We discuss “Old Habits Die Hard” by Toad (a 2020 single), “Leaving Oldtown” from Swallowed by the New (2016), and “One Wind Blows” from Toad’s Bread and Circus (1988). We end with the title track from the 2021 Toad album Starting Now. Intro: “All I Want” from fear (1991). For more see glenphillips.com and toadthewetsprocket.com.

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NEM#151: Cathal Coughlan (Fatima Mansions, Microdisney): Pyschogeographic Tales

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Cathal started in Ireland in 1980 with Microdisney, and after five albums with then broke that up to form Fatima Mansions in 1988. After seven albums with them, he started a solo career and has now after a decade-long hiatus (during which he released a few collaborations) has come back with his sixth solo release Song of Co-Acklan. We discuss “Unrealtime” and (in closing) hear the title track from that album, plus “Denial Of The Right To Dream” from The Sky’s Awful Blue (2002) and “Valley of the Dead Cars” by The Fatima Mansions from Against Nature (1989). Intro/outro: “Town to Town” by Microdisney from Crooked Mile (1987). For more, see cathalcoughlan.com.

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NEM#150: Josh Caterer (Smoking Popes): Punk + 40s Melodies (+ Occasional Jesus)

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Josh released three albums and some EPs in the 90s with his brothers as the Chicago-area punk band Smoking Popes, then became a Christian and released an album and a half as Duvall, then reformed the Smoking Popes to release three more albums since 2008. He’s also released some religious material as a solo artist, and his new album is composed of live covers of classic songs and reworkings of his own material.

We discuss “Need You Around,” originally from Born to Quit (1995) and re-arranged for The Hideout Sessions (2021). We then turn to the Popes’ “Amanda My Love” from Into the Agony (2018) and Duvall’s “Taking Me Home” from Volume & Density (2003), and we conclude with another new recording, “My Funny Valentine” (Rodgers/Hart). Intro: “Megan” from Destination Failure (1997). More at smokingpopesmusic.com.

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NEM#149: Rod Abernethy’s Return to Acoustic (from Video Game Soundtracks)

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Rod released his first album “Solo” in 1975, played in some bands, but after losing on Star Search, turned to soundtrack work, emerging only in 2018 with three straight albums of acoustic singer-songwriter and instrumental material.

We discuss “My Father Was a Quiet Man” (and listen to “Whiskey & Pie”) from Normal Isn’t Normal Anymore (2021), “How to Forget” from The Man I’m Supposed to Be (2018), and “Working the Mill” and “Battle in Laketown” from The Hobbit Official Soundtrack (2003). Intro: “Driving to Dan’s” from Rage Original Game Soundtrack (2011). For more, see rodabernethy.com.

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NEM#148: David Cross (ex-King Crimson): Electric Violin Dinosaur Battles

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David played in perhaps the most revered line-up of King Crimson at the end of its original run from ’72-’74. He released his first “solo” album (as Low Flying Aircraft) in ’87, then eight more under his own name plus several collaborations.

We discuss “Predator” by Cross and Jackson from Another Day (2018), “The Pool” by The David Cross Band from Sign of the Crow (2016), and “Awful Love” from Closer than Skin (2005). We conclude with the title track from Crossover by David Cross and Peter Banks (2020). Intro: “Exiles” by King Crimson from Larks’ Tongues in Aspic (1973). For more, see davidcrossband.com.

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NEM#147: Steve Almaas: From Punk to the Rodeo

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Steve was in one of Minneapolis’ first big punk bands, The Suicide Commandos, but after one album in 1977, he soon left for New York City and eventually hit it relatively big with two records on IRS as Beat Rodeo, with a solo career continuing the country-rock style beginning in 1992 through nine albums.

We discuss “The Way I Treated You” (and listen to “Goodbye Nicolina,” featuring The Jayhawks’ Gary Louris) from Everywhere You’ve Been (2021), “Try Again” by The Suicide Commandos from their reunion album Time Bomb (2017), and the title track from Steve’s first solo record East River Blues (1992). Intro: “Just Friends” from Staying Out Late w/ the Beat Rodeo (1984). 

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NEM#146: Nels Cline Writes Jazz Fusion (And Plays Guitar for Wilco)

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Though best known as lead guitarist for Wilco since 2004, Nels has recorded 30+ instrumental albums, often as band leader. We discuss “Headdress” by The Nels Cline Singers from Share the Wealth (2020), “The Nomad’s Home” from Coward (2009), and “Fives & Sixes” from his first solo release, Angelica (1987). We conclude by listening to “Imperfect Ten” by The Nels Cline 4 from From Currents, Constellations (2018). Intro: “You Are My Face” by Wilco from Sky Blue Sky (2007), co-written with Jeff Tweedy. More at nelscline.com.

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NEM#145: Jay Gonzalez: Concise but Colorful

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Jay is best known as sideman for Drive-By Truckers since 2008 but has written songs for Athens bands like The Possibilities and Nutria since the 90s and has three solo releases.

We discuss the title track (and listen at the end to “I Wanna Hold You”) from Back to the Hive (2021), “&#%&#!” and “Shenorock Lane” from The Bitter Suite (2015), and “Turning Me On” from Mess of Happiness (2012). Intro: “Tough to Let Go” by Drive-By Truckers from The New OK (2020). For more see jaygonzalez.com.

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NEM#144: Dennis Davison (The Jigsaw Seen): How Much Is Enough?

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Dennis fronted the Baltimore punk band Ebenezer and The Bludgeons in the late 70s, and after some transitional projects moved to L.A. where his ’60s-ish guitar pop band The Jigsaw Seen released nine albums from 1989-2015.

We discuss “Museum Piece” (and listen to “Shadow on a Tall Tree” at the end) from his debut solo album, The Book Of Strongman (2020); “Idiots with Guitars” from Old Man Reverb (2014); and the title track from My Name Is Tom (1991). Intro: “Jim Is the Devil” (a 1989 single). For more, visit dennisdavisonmusic.com.

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NEM#143: In Search of Eric Dover (Imperial Drag, Slash’s Snakepit, etc.)

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After joining Jellyfish in 1993 just before its demise, Eric’s big break came when he was asked to sing for Slash’s Snakepit. He then returned to Roger Manning from Jellyfish for an album as Imperial Drag, worked as sideman (e.g. for Alice Cooper) and studio guy and had two releases as Sextus. He’s now back with Roger in The Lickerish Quartet, which released two EPs.

We discuss “The Dream That Took Me Over” by The Lickerish Quartet from Threesome, Vol. 2 (2021), “Wishing You Well” by Sextus from Stranger Than Fiction (2008), and “Boy or a Girl” from Imperial Drag (1996). End song: “What Do You Want from Me?” from The Eyes of Alice Cooper (2003). Intro: “Beggars & Hangers-On” by Slash’s Snakepit from It’s Five O’Clock Somewhere (1995). More at thelickerishquartet.com.

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NEM#142: Rebecca Rego: This Is Your Life!

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Folky, soul-singing Rebecca has had six releases since 2007. We discuss “Mama” from her solo EP, Songs for Cleaning Women, Pt. 1 (2020), “No One Knows Me” by Rebecca Rego and the Trainmen from Speaking of Witches (2019), “Gave Me” by rego off of From the Royal Arcade (2009), and “Cruel” from Lay These Weapons Down (2016). Intro: “Call My Mother” from Tolono (2014). See rebeccaregoandthetrainmen.com.

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NEM#141: Robert Forster (The Go-Betweens) Looks Back Novelistically

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Robert co-fronted the Australian-born post-punk band The Go-Betweens through nine albums in the ’80s and ’00s with Grant McLennan before the latter’s death in 2006 and has also released seven solo albums.

We discuss “No Fame” from Inferno (2019), “Here Comes a City” by The Go-Betweens from Oceans Apart (2005), and “On My Block” by The Go-Betweens from Before Hollywood (1983). We conclude by listening to “Let Me Imagine You” from Songs to Play (2015). Intro: “Clouds” by The Go-Betweens from 16 Lovers Lane (1988).

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NEM#140: Larry Keel: Hillbilly Shredder to Singer-Songwriter

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Larry has appeared on 20+ albums since co-founding Magraw Gap in 1990 and then becoming bandleader on ’97. He’s known for his lightning flat picking and has more recently added a good dose of social commentary and fundamental questioning to his songwriting.

We discuss “Mars’ Cry” (and listen to “Try”) from American Dream (2020), “Crocodile Man” from One (2019), and “Diamond Break” from Backwoods (2009). Intro: The title track to The Sound (1999). For more, see larrykeel.com.

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NEM#139: Don Rauf’s Life In A Blender

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Don started the NY-based Life in a Blender in the late 80s and has put out ten albums of tunes with off-kilter lyrics and increasingly elaborate arrangements. We discuss “The Ocean is a Black and Rolling Tongue” (and listen at the end to “Soul Deliverer”) from Satsuma (2020), “Falmouth” from We Already Have Birds That Sing (2014), and “Chicken Dance” from Two Legs Bad (1997). Intro: “Mounds of Flesh” from Welcome to the Jelly Days (1988). For more see lifeinablender.net.

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NEM-Pretty Much Pop Crossover: Story Songs w/ Rod Picott

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Recycling a great music discussion featuring a past NEM guest from Mark’s other entertainment podcast for the New Year!

Plenty of songs try to tell stories, but do the pop song format and narrative really mix? Rod Picott joins Pretty Much Pop to talk about classics by Bob Dylan and Johnny Cash, formative nightmares like “Leader of the Pack” and “The Pina Colada Song, borderline cases like “Bohemian Rhapsody,” and more. How does this form relate to theater, videos, and commercials?

Subscribe directly to Pretty Much Pop at prettymuchpop.com. Get bonus discussion at patreon.com/prettymuchpop.

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NEM#138: Markus Reuter: Composer or Tap Guitar Hero?

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Markus began composing as a teen, “found his tribe” in getting connected to King Crimson’s Robert Fripp in the early 90s, and has put out 40+ solo and collaborative albums of experimental music since 2000, including work in Stick Men with Crimson’s Tony Levin and Pat Mastelotto.

We discuss “Swoonage” from Truce (2020), “Boon” by Marcus Reuter and the Matangi Quartet from String Quartet No. 1 ‘Heartland’ (2019), and “11-11” by Tuner (Pat Mastelotto and Markus Reuter) from POLE (2007), and end by listening to “The Cult of Bibbiboo” by centrozoon from The Divine Beast (2001). Intro: “Condition IV” from Falling for Ascension (2017). More at .

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NEM#137: Brian Cullman, Writer About Town

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Brian’s been writing music and music journalism since the late ’60s, has produced artists like Taj Mahal, Lucinda Williams, and Ollabelle, and has released three solo albums and an EP since 2008.

We discuss “Killing The Dead” (and discuss “Wrong Birthday”) from Winter Clothes (2020, written with now-deceased Ollabelle guitarist Jimi Zhivago), discuss “And She Said” from The Opposite of Time (2016), and “The Promise” from All Fires The Fire (2008). Intro: “The Book of Sleep” by OK Savant, recorded live at CBGBs in 1990. For more, see briancullman.com.

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NEM#136: Mark Bingham: To and In New Orleans

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Mark got signed as a teen in 1966, left to play theatrical prog jazz in Indiana during college, had a spell in a “no wave” band in New York, and finally settled down in the ’80s as an in demand producer and collaborator in New Orleans, working with groups like R.E.M., Flat Duo Jets, and John Scofield. He’s only finished two solo albums but has a ton of archive recordings being released soon, and now plays guitar in a cajun band.

We discuss “Pissoffgod.com” from Psalms of Vengeance (2009), “Ash Wednesday and Lent” by Ed Sanders (music by Mark Bingham) from Poems for New Orleans (2007), “That’s Why” by Social Climbers from their self-titled album (1981), and then listen to “Blood Moon” by Michot’s Melody Makers from Cosmic Cajuns from Saturn (2020). Intro: “Flies R All Around Me” by Screaming Gypsy Bandits from Back to Doghead (1970).

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NEM#135: Peter Milton Walsh (The Apartments): No Assembly-Line Recording

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Peter started The Apartments in Australia in the late ’70s and has been its only consistent member. After releasing his first full album in 1985 and being featured on a John Hughes soundtrack, he released four lush, moody albums in the ’90s but then retired when family tragedy struck until the late ’00s; he’s had four releases since 2011.

We discuss “What’s Beauty to Do?” and “Where You Used to Be” from In And Out Of The Light (2020), then “Sunset Hotel” from Fete Foraine (1996), and finally listen to “Looking for Another Town” from No Song, No Spell, No Madrigal (2015). Intro: “Help” from the Return of the Hypnotist EP (1979). More at theapartments-music.com.

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NEM#134: Laraaji’s Free Association Meditations

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Jazz multi-instrumentalist Edward Larry Gordon Jr. became Laraaji around the same time he started releasing meditative zither music in the late 70s and was then discovered by Brian Eno, who produced our intro, “The Dance No. 1” from  Ambient 3: Day of Radiance (1980). Laraaji has since had around 40 releases of largely improvised music.

We discuss “Hold on to the Vision” (and hear “Shenandoah”) from Sun Piano (2020), the single edit of “Introspection” from Bring On the Sun (2017), and “All of a Sudden,” a 1986 vocal tune released on Vision Songs, Vol. 1 (2017). More at laraaji.blogspot.com.

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NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation

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Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.

We discuss “Unknown Wish” from Seeing Through Sound: Pentimento Volume 2 (2020), “Manga Scene” from Listening to Pictures: Pentimento Volume 1 (2018), “Toucan Ocean” from Vernal Equinox (1977), and listen to the title track from Last Night the Moon Came Dropping Its Clothes in the Street (2009). Intro: “Chemistry” by Jon Hassell/Brian Eno from Fourth World Music I: Possible Musics (1980). For more see jonhassell.com.

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NEM#132: Chris Frantz Looks Back on Talking Heads and Tom Tom Club

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On the publication of his memoir, Remain in Love, Chris and your host Mark Linsenmayer discuss “Psycho Killer” and “Warning Signs” by Talking Heads from Talking Heads ’77 and More Songs About Buildings and Food (1978), plus “Bamboo Town” and “Who Feelin’ It?” by Tom Tom Club from Close to the Bone (1983) and The Good the Bad and the Funky (2000). We conclude with the title track to Tom Tom Club’s Downtown Rockers (2012). Plus, Tina Weymouth jumps in at one point! For more see tomtomclub.com.

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NEM#131: Ward White Audited

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Ward has issued about ten releases of lyric-driven, stylish pop since 2003. We discuss the title track from Leonard at the Audit (2020), “Titans” from Diminish (2018), and the title track from Pulling Out (2008). Intro: “Sabbath” from Ward White Is the Matador (2014). End: “Bubble and Squeak,” also from the new album. For info see wardwhite.net.

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NEM#130: Mark Farner (ex Grand Funk Railroad) Back from the Dead

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Mark led Grand Funk Railroad through 13 albums in the 70s and early 80s and has had around eight solo releases.

We discuss “Nadean” from For the People (2006), “Not Yet” from Some Kind of Wonderful (1991), and the title track of Born to Die by Grand Funk Railroad. End song: “Take You Out.” Intro: “I’m Your Captain” from GFR’s Closer to Home (1979). For more see markfarner.com.

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NEM#129: New People – Matt Ackerman and Mark Lint on Collaboration

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Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013).

We discuss “Down So Low” (intro: “Love Is the Problem”) from The Easy Thing (2008), “Manager” from Impossible Things (2011), and “Local” and “At the Time” from Might Get It Right (2013), plus “We Who Have Escaped” (later in 2013, released on Songs from the Partially Examined Life). Intro: “Love Is the Problem” also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com.

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NEM#128: Roger Joseph Manning Jr.’s Crazy Fun with Arrangements

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Roger rose to fame as keyboardist/songwriter for Jellyfish in the early ’90s, then formed Imperial Drag, The Moog Cookbook, TV Eyes, backed Beck, and finally released two albums under his own name starting in 2006. He’s recently released a solo EP and one with The Likerish Quartet that reunites him with some other members of Jellyfish.

We discuss “Lighthouse Spaceship” by The Lickerish Quartet from Threesome, Vol. 1 (2020), “The Turnstile at Heaven’s Gate” from Catnip Dynamite (2008), “Time to Time” by Malibu (a solo techno project) from Robo-Sapiens (2007), and listen to “Operator” from his solo Glamping EP (2018). Intro: “The King is Half-Undressed” by Jellyfish from Bellybutton (1990). For more, see thelickerishquartet.com and rogerarranging.com.

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NEM#127: KatieJane Garside Is an Impulse of Chance

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KatieJane gained fame fronting British grunge band Daisy Chainsaw, left after their first full album but resumed the project under the name Queenadreena for four albums in the ’00s, then partnered with Chris Whittingham in 2007 to live on a boat and play as the stripped-down Ruby Throat for four albums. That band has now become loud again and been re-christened Liar, Flower.

We discuss “My Brain is Lit Like an Airport” and hear the title track from Geiger Counter (2020), then look back to “Hu’u” by Ruby Throat from Baby Darling Taporo (2017) and “Lesions In The Brain” by Lalleshwari (a one-off solo moniker) from Lullabies in a Glass Wilderness (2007). Intro: “Love Your Money” from Daisy Chainsaw from Eleventeen (1992). For more, see katiejanegarside.com.

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NEM#126: Jim Peterik Eyes Much More Than the Tiger

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Jim has released 30+ albums since 1964 with Ides of March, Survivor, Pride of Lions, et al. Intro: His biggest hits, the title tracks of Vehicle (1970) and The Eye of the Tiger (1983).

We discuss his new solo single “Empty Arena” and two Ides of March tunes, “Friends Like You” from Play On (2019) feat. Mindi Abair and “L.A. Goodbye,” recorded in 1992 but originally from Common Bond (1971). End song: “The Spirit of Chicago,” a 1992 recording released on Ideology: Version 11.0. For more, see jimpeterik.com.

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NEM#125: Victor DeLorenzo (ex Violent Femmes) Starts with Drums

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Victor started as a singer/songwriter, drummed with the Femmes for five albums in the ’80s, and has since recorded six solo releases and five more with NINETEEN THIRTEEN, plus other collaborations, jazz jamming, and work in the theater.

We discuss “Invisible Shadows” from Tranceaphone (2020), “Carry Me” from Victor DeLorenzo (2013), “Arco, Pizzicato” by Nineteen Thirteen from The Dream (2016), and listen to “Audrey” from Pancake Day (1996). Intro/outro: “World Without Mercy” by Violent Femmes from The Blind Leading the Naked (1985). More at victordelorenzo.weebly.com.

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NEM#124: Alev Lenz’s Tracts of Blood and Sisterhood

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Alev started in Germany with her metal band “Alev” in the early ’00s and has released three atmospheric, idea-filled solo albums since 2009 plus several soundtracks and collaborations.

We discuss “The Chair” (and at the end listen to “Cigarettes & Blow”) from 3 (2019), plus the title track from Two-Headed Girl (2016), “Flowers of Love” from Storytelling Piano Playing Fräulein (2009), and “In this Mouth” by Anoushka Shankar feat Alev Lenz from Love Letters (2020). Intro: “Fall Into Me” from the Black Mirror Soundtrack (2016). For more, visit alevlenz.com.

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NEM#123: Rick Kemp (Steeleye Span) Slows Down

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Rick played bass on 15 albums with Steeleye Span between 1971 and 2016 and had released five solo albums since 1996 (plus another with his then-wife Maddy Prior). We discuss “Race Against Time” from Perfect Blue (2018) and two Steeleye tunes: “Cromwell’s Skull” from Dodgy Bastards (2016) and “Samain” from They Called Her Babylon (2004). We conclude by listening to “Bachelor’s…

NEM#122: Jack Hues (from Wang Chung) Plays Jazz and Prog

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Jack fronted Wang Chung for five albums in the ’80s, left the limelight to produce, and got a jazz combo going by 2000 which he’s released five albums with, reformed Wang Chung, and only now is having a debut solo release, the double album Primitif.

We discuss “Whitstable Beach” from that album, “Class War and Sex War” by Jack Hues and the Quartet from A Thesis on the Ballad (2015), and “Brahms Blues” by The-Quartet from Illuminated. (2006) We conclude by listening to “To Live and Die in L.A.” by Wang Chung from Ochesography (2019).

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NEM#121: K.C. Clifford on Brokenness and Power

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K.C. has created seven releases of confessional folk (sometimes gospel, sometimes country) since 2000. We discuss “No More Living Small” and listen to “You Couldn’t Stay” from her 2020 self-titled album, then talk about “Broken Things” from Orchid (2010) and “Find My Way Home” from Teeth-Marks on My Tongue (2004). Intro: “Emily” from Times Like These (2000). For more see kcclifford.com.

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NEM#120: Steve Harley is Wiser and Less Hungry

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Steve started fronting Cockney Rebel in the early ’70s and has released a dozen albums of of narrative-driven, tuneful songs.

We discuss “Compared with You (Your Eyes Don’t Seem to Age)” and listen to “Only You,” his two originals from his new solo album Uncovered (2020) then look back to “Faith & Virtue” from Stranger Comes to Town (2010) and Cockney Rebel’s “Bed in the Corner”/”Sling It” from The Psychomodo (1974). Intro: “Make Me Smile (Come Up and See Me)” by Steve Harley & Cockney Rebel from The Best Years of Our Lives (1975). Learn more at steveharley.com.

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NEM#119: Chris A. Maxwell: The Power of What You Don’t Fully Understand

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Chris fronted Gunbunnies in the early ’90s and was then a member of Skeleton Key, but he’s best known for being half of the production team Elegant Too. Since 2014 he’s released two solo albums.

We discuss two songs from 2012’s New Store No. 2, the title track and “Most of What I Know I Learned from Women.” We then talk about Elegant Too’s work with They Might Be Giants (feat. Doughty) on “Mr. Xcitement” from Mink Car (2001) and also working with St. Vincent on the Bob’s Burgers tune “Bad Girls” (2013). We conclude with Chris’s “Imaginary Man” from Arkansas Summer (2016). Intro: “Stranded” by Gunbunnies from Paw Paw Patch (1990). Outro: Elegant Too’s theme for ESPN’s 30 for 30. For more see maxwellsongs.com and elegatnttoo.com.

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NEM#118: Matt Wilson (Trip Shakespeare) Is Still a Writer

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Matt released 4 albums and got on a major label with Trip Shakespeare in the late ’80s, released a solo album in ’98, ran bands with fellow Tripper John Munson for three albums over many subsequent years, ad has now released his first album as Matt Wilson & His Orchestra, When I Was a Writer.

We discuss “Decent Guy” and listen to the title track from that album and look back to “Dreams” by Twilight Hours from Stereo Night (2009) and “Sun Is Coming” from his solo album Burnt, White, and Blue (1998). Intro/outo: “Toolmaster of Brainard” by Trip Shakespeare from Are You Shakespearienced (1989). For more see minneapolismatt.com.

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NEM#117: Chris McQueen (FORQ, Snarky Puppy): Like Fusion, But Cool

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Chris has played guitar for Snarky Puppy since it started in 2004, has led rock bands and explored acoustic guitar duets. We discuss “M-Theory” by FORQ from Four (2019), the title track to Western Theatre by Matt Read and Chris McQueen (2019), and “Coven” by Snarky Puppy from Immigrance (2019), and end with “Strut” by Foe Destroyer from their self-titled album (2013).

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NEM#116: hackedepicciotto: Nomadic Cinematographers

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Einstürzende Neubauten’s Alexander Hacke and artist/singer Danielle de Picciotto have released seven albums of often instrumental, always experimental music together since 2011, the last four as hackedepicciotto.

We discuss “The Banishing” and “Third From the Sun” from The Current (2019) and “Propehcy” from Menetekel (2017), plus intro music is “Let There Be Joy” from Joy (2018). We conclude by listening to “Survivors” from Danielle’s solo album Deliverance (2019). For more, see hackedepicciotto.de.

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NEM#115: Julie Slick: Pedal Art Visualizer

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Julie joined the Adrian Belew Power Trio in 2006 and released two solo albums starting in 2010. She then joined another bassist, Marco Machera for four albums, the last three as Echotest. Why two basses? Because Julie uses tech to change the sound of her bass to allow her to cover an orchestra’s worth of parts.

We discuss “Ladies’ Legs at the Temperature Hotel” and “No, You Are Dead/The Gate of Light” by Echotest from Daughter of Ocean (2019), plus “Pi” from her solo album Terroir (2012), and listen to “Supercell” by Echotest from From Two Balconies (2017). Intro/Outro: “Mela” from Julie Slick (2010). For more, see julieslick.com.

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NEM#114: Michaela Anne’s Hyper-Reflective Country

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Michaela has released four albums of carefully styled, lyrically rich country since 2011.  From her latest, Desert Dove (2019), we discuss the title track, plus you’ll hear “By Our Design” as the intro and “Somebody New” as the closer. We also discuss “Worrying Mind” from Bright Lights and the Fame (2016) and “Is This What Mama Meant” from Ease My Mind (2014). For more, see michaelaanne.com.

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NEM#113: Bid (Monochrome Set): All-Permissive British New Wave Forever!

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The Monochrome Set has under the leadership of Bid released 15 albums of eccentric British pop since 1980, and he’s had another nine as Scartlet’s Well. His songs often employ a ’60s dance vibe, literary lyrics, and a try-anything approach to arrangements.

We discuss “Eux Tous” from Fabula Mendax (2019), “Walking with the Beast” from Dante’s Casino (1990), “Adeste Fidelis” from Love Zombies (1980), and conclude listening to the title track of Spaces Everywhere (2015). Intro: “Eine Symphonie Des Grauens” (a 1979 single). For more, see themonochromeset.co.uk.

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NEM-Pretty Much Pop Crossover: The Singer Not the Song w/ Ken Stringfellow (feat. Game Theory)

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Do you just embrace the pure sound of music or does context matter to you, i.e. the artist’s intentions and body of work?

Ken Stringfellow (Posies, R.E.M., Big Star), previous NEM guest for #39, joins Mark plus Erica Spyres and Brian Hirt for a special podcast-crossover episode to talk about what grabs us about music, it it gets to your ears, singers vs. songwriters, the concept “genius,” and how this attitude towards music translates to our intake of other media (e.g. favorite film directors).

For more, visit prettymuchpop.com, nakedlyexaminedmusic.com, and support us at patreon.com/nakedlyexaminedmusic to get a special, lengthy New Year’s update from Mark.

Also, check out Andy Frasco’s World Saving Podcast.

NEM#112: Radney Foster Finds His Voice

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Radney started as a Nashville songwriter and performed in the 80s with Foster & Lloyd. has released about a dozen albums since ’91 that increasingly break away from country music standards into something more personal.

We discuss two recordings from For You to See the Stars (2017) that have accompanying short stories (written when he literally lost his voice): “Sycamore Creek” and “Raining on Sunday,” plus “Nobody Wins” from Del Rio , TX 1959 (1992). End song: “Godspeed (Dulce Sueños).” Intro: “Crazy Over You” by Foster & Lloyd from their eponymous album (1987).

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NEM#111: Marty Willson-Piper Has Room for Everything

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In The Church, he was half of a world-famous twin guitar machine for 30 years starting in 1980 but has also released seven solo albums and been in several other bands, most notably releasing four albums with his old friend Dare Mason as Noctorum.

We discuss two 2019 Noctorum tracks, “The Moon Drips” from Afterlife and “Dancing with Death” from The Afterdeath EP, plus “You Whisper” from his solo album Art Attack (1988). We conclude by listening to “Forget the Radio” from his solo album Hanging Out in Heaven (2000). Intro: “Spark” by The Church from Starfish (1988). For more see martywillson-piper.com.

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NEM#110: Joe Louis Walker’s Blues Soup

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Joe has played alongside B.B. King, Ron Wood, and even back to Hendrix, Hooker, and Monk. As a solo artist he’s put out around two dozen albums since 1986. He’s a blues man but mixes in gospel, soul, rock, and many other styles.

We discuss the title track of Hellfire (2012), “Keep the Faith” from Hornet’s Nest (2013), the title track from The Gift (1988), and listen to “Soldier for Jesus” from Viva Las Vegas Live (2019). Intro: “Don’t Play Games” from Cold Is the Night (1986). For more, see joelouiswalker.com.

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NEM#109: Producer Guy Sigsworth (Seal, Björk, etc.) Goes Solo

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Guy has been a highly sought-after British producer/keyboardist since the early ’90s and is just now releasing his debut album, Stet. We discuss “Mono No Aware” and “Dorian” from that album and “Unravel” from Björk’s Homogenic (1997). End song: “Let’s Go” by Frou Frou from Details (2002). Intro: “Crazy,” co-written with Seal from his debut album (1991).

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NEM#108: Mike Watt’s Punk Operas

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Ace bassist Mike started with punk legends MINUTEMEN in the early ’80s, broke into the majors with fireHOSE going into the 90s, and was so beloved by the alternative music scene that his first solo album in ’94 was star-studded, with Eddie Vedder and Dave Grohl in the supporting tour. Mike has released three concept albums over the years and has collaborated on dozes of projects as well as backing Iggy Pop in the reformed Stooges.

We discuss “Bob Dylan Wrote Propaganda Songs” by Minutemen from What Makes a Man Start Fires (1983), “The Boilerman” from Contemplating the Engine Room (1997), the first, second, and last sections from Hyphenated-Man (2011), and “I Got Marty Feldman Eyes” from the Big Walnuts Yonder self-titled album (2017). We conclude by listening to “Yeah, We’re Gonna Learn to Fall” by Jumpstarted Plowhards from Round One (2019) featuring Todd Congelliere. Intro: “Walking the Cow” by fireHOSE from Flyin’ the Flannel (1991). For more, visit mikewatt.com.

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NEM#107: Barry Andrews (Shriekback): Objectifications of Groove

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Barry started in ’77 playing keys with XTC and after two albums started his own band Shriekback in ’81, with whom he’s had 14 releases plus some solo albums. He’s known for inventive soundscapes placed over solid grooves and philosophical lyrics delivered in a low chant.

We discuss three Shriekback tunes: “Such, Such Are the Joys” from Why Anything? Why This? (2018), “Amaryllis in the Sprawl” from Glory Bumps (2007), and “Stimulate the Beaded Hamster”/”Pond Life” from Naked Apes and Pond Life (2000). We conclude by listening to a solo tune, “Virgin of the Ladder” by Barry Andrews from Contaminated Pop (2019). Intro: “Nemesis” from Oil & Gold (1985). For more, see shriekback.com.

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NEM#106: John Colpitts (aka Kid Millions/Man Forever): Heavy Meditations

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John founded the Brooklyn space-rock cooperative Oneida in the mid 90s and has put out 13 albums with them plus four as his solo project Man Forever and several others as collaborations or as Kid Millions.

We discuss two tracks by Man Forever from Play What They Want (2017): “You Were Never Here” and “Twin Torches” (feat. Laurie Anderson), then Oneida’s “All in Due Time” from Romance (2018), and listen  to “Nine Years of Facing a Wall” by Fox Millions Duo from Biting Through (2019). Intro: “Sheets of Easter” by Oneida from Each One Teach One (2002). For more, see johnwilliamcolpitts.com.

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NEM#105: Wayne Hussey (The Mission): Salad Daze to Mission Accomplished

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Wayne started in the late 70s, was on the first Dead or Alive Album, made his name as guitarist for The Sisters of Mercy’s first full album, then led The Mission UK from 1986 through 11 albums plus two solo albums and some collaborations.

We discuss “Wither on the Vine” from Songs of Candlelight & Razorblades (2014), then two Mission songs: “Phantom Pain” from Another Fall from Grace (2016) and “Tower of Strength” from Children (1987). We conclude by listening to a 2016 solo single “My Love Will Protect You.” Intro/outro: “Marian” by Sisters of Mercy from First and Last and Always (1985). For more, visit themissionuk.com.

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NEM#104: Dave Schramm: The Return of the Schramms

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Dave was the original guitarist for Yo La Tengo in the mid ’80s and left to lead The Schramms for six albums plus two solo albums while being an in-demand guitarist supporting artists like Freedy Johnston, Richard Buckner, Kate Jacobs and Chris Stamey.

We discuss three Schramms songs, “Faith is a Dusty Word” from Omnidirectional (2019), “I’ll Believe” from 100 Questions (2000), and “Wild Innocence” from Dizzy Spell (1996), and conclude by listening to another Omnidirectional tune, “The Day When.” Intro: “The Way Some People Die” from Walk to Delphi (1989). For more info, see theschramms.com.

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NEM#103: Homer Flynn on The Residents’ 50 Years

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The Residents were formed in 1969 and have released around 50 albums of theatrical, experimental music with humor and humanity. They’re great to freak people out with. The band is anonymous; Homer is the head of their management arm, The Cryptic Corporation.

We discuss “Good Vibes” from Intruders (2019), with music by Eric Feldman who replaced long-time Residents composer Hardy Fox upon his retirement in 2015 (and his death in 2018); “Blue Rosebuds,” both the original Duck Stab (1978) version and the live Shadowland (2014) versions; “Kiss of Flesh” from God in Three Persons (1988); and we conclude by listening to “If Only” from the new Hardy Fox tribute album “The Godfather of Odd.” Intro: “Fire (Santa Dog)” (1972) and outro: “The Simple Song” from Commercial Album (1980). For more, visit residents.com.

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NEM#102: John Andrew Fredrick (The Black Watch): Literary Anglophilia

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John has released 17 albums and 5 EPs of guitar-based post-punk as the Black Watch since 1988. He’s also an English professor who’s published 5 books.
 
We discuss “Eustacia’s Dream” from Magic Johnson (2019), “Emily, Are You Sleeping?” from Led Zeppelin Five (2011), “Inner City Garden” from The Hypnotizing Sea (2005), and premiere “Much of a Muchness” from the forthcoming Crying All the Time EP. For more, see johnandrewfredrick.com.

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NEM#101: Helen Money (Alison Chesley): Rock Cellist

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Alison was studying classical music when she joined Jason Narducy in 1994 in a duet that grew into two Verbow albums. She’s since recorded four solo cello albums and been a guest musician on over 100 albums, playing with Bob Mould, Superchunk, Anthrax, Broken Social Scene, etc.

We discuss “Become Zero” and “Vanished Star” from Become Zero (2016), then “Beautiful Friends” from Arriving Angels (2013) and listen to “For My Father” by Jarboe/Helen Money (2015). Intro: “New History” by Verbow from White Out (2000); closing music from “Political Song for Michael Jackson to Sing” from In Tune (2009). For more, see helenmoney.com.

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NEM#100: Dan Stuart Faces Truth and Writes Fiction in Mexico

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Dan fronted Arizona cow-punk band Green on Red from 1979 to 1992, releasing seven albums and three EPs, and has since released four solo albums and some collaborations, growing increasingly literary, with two of his recent albums accompanied by novels.

We discuss two tracks from The Unfortunate Demise of Marlowe Billings (2018): “A Killer Now” and “Sky Harbor,” plus “La Passionaria” from Can o’ Worms (1995). We conclude by listening to “Who Knows” by The Slummers from Love of the Amateur (2010). Intro/outro: “Sixteen Ways” by Green on Red from Gas, Food, Lodging (1985). More at marlowebillings.com.

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NEM#99: Globelamp (Elizabeth LeFay): Raw, Psychedelic Folk

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Elizabeth got her start in the psych-punk band Meowtain in Olympia, WA, emerged as Globelamp in 2011 with an EP, was briefly a touring member of Foxygen, and has put out three albums since 2014.

We discuss “Everything’s a Spiral” and listen to “Black Tar” from Romantic Cancer (2018), “Controversial/Confrontational” from The Orange Glow (2015), and “Warrior” from Star Dust (2014). Intro: “Hex” from Meowtain (2012). For more, see facebook.com/globelamp.

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NEM#98: Phil Judd Entertains Himself

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Phil founded New Zealand’s Split Enz with Tim Finn in 1972, recorded a seminal punk single with Suburban Reptiles, had an Australian #1 hit with The Swingers, then moved to solo and soundtrack work until 2006, since which he’s recorded five thickly textured solo albums including extensive one-man-band work.

We discuss the title track from Flightless Bird (2019), “Kite Flying Day” from Play It Strange (2014), and “Lamplight” by Schnell Fenster from The Sound of Trees (1988). We conclude by listening to “No One’s Best Man” from Novelty Act (2016). Intro/outro: “Sweet Dreams” by Split Enz from Second Thoughts (1976).

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NEM#96: Andrew McMahon Throws in All His Favorite Things

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Andrew has put out nine albums and a few EPs of piano-and-vocal-based pop using various band names since he was in high school in the late ’90s.

We discuss two of his Andrew McMahon in the Wilderness tracks: “Blue Vacation” from Upside Down Flowers (2018) and “Synesthesia” from The Pop Underground EP, then “Me and the Moon” by Something Corporate from North (2003), and conclude by listening to “Swim” by Jack’s Passenger from The Glass Passenger (2008). Opening music: “I Woke Up in a Car” by Something Corporate from Leaving through the Window (2002). For more, see andrewmcmahon.com. 

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NEM#95: R. Stevie Moore Just Happens… Frequently!

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Stevie has been recording pop tunes and/or wild experiments nearly continually since the late 60s, with hundreds of albums, many of them compilations of home recordings.

We discuss “Pop Music” and “Take Back” from Afterlife (2019) and “The House Is Not in Order” by R. Stevie Moore and Alan Jenkins and the Kettering Vampires from The Embodiment of Progressive Ideals (2018) and conclude by listening to “I H8 Ppl” by R. Stevie Moore and Jason Falkner from Make It Be (2017). Bonus songs: “Pervert” from World War 4 (2016) and (at the end) “Goodbye, Piano” from Phonography (1976). Intro: “I Like to Stay Home” from Glad Music (1986). For more, see rsteviemoore.com.

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NEM#94: Ian Moore Grown Far Beyond Blues-Rock

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Ian has released ten studio albums and three EPs since 1993, starting as an Austin guitar hero and evolving into an eclectic, subtle Seattle songwriter who teaches songwriting courses.

We discuss “1000 Blackbirds” from Toronto (2018), the title track from Strange Days (2017), and “Abilene” from Luminaria (2004). End song: “Sad Affair” from El Sonido Nuevo (2011). Intro: “Satisfied” from Ian Moore (1993). For more, see ianmoore.com.

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NEM#93: Peter Aaron Lives in the Blues-Punk Moment

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Peter started in hardcore punk and used the blues to add depth for his band the Chrome Cranks, which released four studio albums and a live album in the mid-1990s then another in 2012. Since then he’s been a music journalist and author, writing about the Ramones, the Band, and others, with occasional musical projects. We discuss his new single “Bomb Train Blues” (2018) with the band Young Skulls, Chrome Cranks tracks “Dark Room” from Chrome Cranks (1994), and “Rubber Rat” from Ain’t No Lies in Blood (2012). We conclude by listening to “Purge 4” from Purges by Peter Aaron and Brian Chase (2016). Intro/outro: “Hot Blonde Cocktail” by the Chrome Cranks from Love in Exile (1997). For more, see peteraaron.org.

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NEM#92: Steve Young (Hedflux): Electronica Breaking Club Conventions

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Steve started producing tracks for dance clubs in 2007, changing his style in 2013 to slow down, carve out space for spontaneous performance, and develop “audio alchemy” over a few EPs and two recent albums.

We discuss “Equinosis” from the Mercurial EP (2018), “Superluminal Sound” from his Soul Science album (2016), and the title track from his Wanderlust EP (2013). We conclude by listening to “Origins” by Hedflux and Alex Delfont from Kin (2018). Opening/closing: “Music Is My Weapon” (2007). For more, see hedflux.com.

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NEM#91: Rachel Taylor Brown’s Decorated Aphorisms

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Portland-based singer-songwriter Rachel has released 10 albums of off-kilter, usually piano-based, lyric-heavy indie rock since the mid ’00s.

We discuss “Maker” and “God” (plus the intro “Gyre”) from Run Tiny Human (2018), “Taxidermy” from World so Sweet (2011), and “Ormolu” from Ormolu (2006), and also listen to “We’ll Have A” from Falimy (2014). For more, see racheltaylorbrown.com.

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NEM#90: Sam Phillips Brings Intuition Out of Dreams

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Sam has released sixteen albums of catchy, textured pop music since 1983.

We discuss “I Want to Be You” and “Tears in the Ground” from World on Sticks (2018), “How to Dream” from Fan Dance (2001), and conclude by listening to “When I’m Alone” from Push Any Button (2013). Intro: “Baby I Can’t Please You” from Martinis and Bikinis (1994). For more, visit samphillips.com.

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NEM#89: Dusty Wright’s Metaphysical Americana

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After starting in the ’80s with the Trolls and the Bastards of Execution, Dusty has released six albums as a solo artist since 1997.

We discuss a new, unreleased song “Pardon My Love,” then “Man in the Mirror” from Gliding Toward Oblivion (2018) and “High Flyin’ Bird” by GIANTfingers from around 2003. We conclude by listening to “(Art at) the Speed of Life” by the Dusty Diamonds from 1994. Intro/outro: “Karma” from dust! (2000).

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NEM#88: Lincoln Barr’s Off-Center Vulnerability

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Lincoln established the Seattle-based singer/songwriter vehicle Red Jacket Mine in 2003, made three albums and an EP with them, and in 2017 released his first solo album, the jazzy, live-in-studio Trembling Frames.

We examine “Desperate Tormentors” and hear “How To Escape” and a bit of “Memory Up and Die” from that album, and discuss Red Jacket Mine: “Apricot Moon” from Lovers Lookout (2009) and “Jesus’s House” from Hello, Old Cloud (2008). For more, see lincolnbarrmusic.com.

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NEM#87: Chris Cacavas Fronts His Depression

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Chris rose to fame on keys for Arizona’s country punks Green on Red from ’81–’87, and has since then been fronted 12 albums while doing session keyboard work.

We discuss “Pale Blonde Hell” by Chris Cacavas and Junkyard Love from Pale Blonde Hell (1994), “Do Me No Favors” from Anonymous (1997), and “Don’t Think Twice” from Bumbling Home from the Star (2002). We listen to “I Won’t Feel Well” from Love’s Been Re-Discontinued (2013). Opening music: the title track from Green on Red’s Gravity Talks. For more, see chris-cacavas.com.

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NEM#86: Seth Swirsky Provides Instant Pleasure

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Seth Swirsky was a highly successful staff songwriter for over 20 years, and has put out three solo albums and three albums as The Red Button since 2004. He’s a huge Beatles fan and has released a Beatles documentary Beatles Stories and has multiple books about psychology and baseball.

We discuss his heavily covered and sound-tracked tune “Love Is a Beautiful Thing”; you’ll hear the version by Al Green from Don’t Look Back (1993), then “Matchbook Cover” from Seth’s album Watercolor Day (2010) and “Picture” by The Red Button from As Far as Yesterday Goes (2011). The end suite is “Shine/Circles and Squares/Go” from his album Circles and Squares (2016). Intro music is from the title track to Instant Pleasure (2004). For more, see seth.com.

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NEM#85: John Etheridge (Soft Machine) Is For Everything!

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John is an amazing guitarist who started in the late-’60s British blues boom, had his first compositions set to tape with Darryl Way’s Wolf in the early ’70s, then joined the latter line-ups of jazz-prog legends Soft Machine (replacing Alan Holdsworth) in the late ’70s. He’s collaborated with luminaries like violinist Stéphane Grappelli, guitar great John Williams, and Andy Summers from The Police, and released eight solo albums prior to teaming up with former members of Soft Machine for another six albums.

We discuss “One Glove” by Soft Machine from Hidden Details (2018), his rendition of Rodgers and Hart’s “My Romance” from I Didn’t Know (2004), and “Venerable Bede” from Ash (1994). We conclude by listening to “Blue Breeze” by John Etheridge and Vimala Rowe from Out of the Sky (2015). Intro/outro from “Huffin'” by Soft Machine from Alive and Well: Recorded in Paris (1978). For more, visit john-etheridge.com and softmachine.org.

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NEM#84: Laura Davis Was “The Girl in the Back” (of the Student Teachers)

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Laura Davis-Chanin of the Phi Fic podcast drummed in the late ’70s NYC punk band The Student Teachers and has written about it in The Girl in the Back: A Female Drummer’s Life with Bowie, Blondie, and the ’70s Rock Scene (2018).

We discuss the book and listen to songs from Invitation To… The Student Teachers (2013): “Looks,” “Christmas Weather,” plus as an intro, “Channel 13.” Laura also co-wrote lyrics to two Blondie songs: we hear some of “Angels in the Balcony” from Autoamerican (1980) plus “Slow Motion” from Eat to the Beat (1979).

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NEM#82: Byron Isaacs Emerges from Bassland

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Byron is an in-demand session/touring bassist whose main band since 2004 has been NYC’s Ollabelle. We talk about “Losing You” and “Gypsy Wind” from his debut solo album, Disappearing Man (2018), plus “Gone Today” by Ollabelle from Riverside Battle Songs (2007), and finish with”Horizontal Man” by Lost Leaders from their 2014 eponymous album. Intro: “Heaven’s Pearls” by Levon Helm from Electric Dirt (2009). For more, visit byronisaacs.com.

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NEM#81: Lindsay Murray Is Gretchen’s Wheel

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Lindsay has released four albums and an EP of depressed alternative rock under the band name Gretchen’s Wheel since 2015, providing a modern model of accessible yet professional DIY recording.

We focus on Black Box Theory, covering “Untethered,” “Tatyana,” and “Plans,” plus “Save the Day” from Sad Scientist (2017). Intro: “Total Loss” from Fragile State (2015). For more, visit gretchenswheel.com.

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NEM#78: Tara Lynch’s Unflinchingly Honest Metal Debut

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Tara has long been building her heavy metal guitar skills, but has only recently gone public, building a huge social media following and now releasing Evil Enough, an album featuring musicians who’ve played with Black Sabbath, Ozzy Osbourne, Yngwie Malmsteen, etc.

We discuss “Antidote” and “Banished from My Kingdom,” and close with “Unbreakable.” Opening music: “Gui-Tara Rises.” Hear more at taralynch.com.

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NEM#77: Shawn Phillips: Uncategorizable from Texas

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Shawn started as a ’60s folk singer, went to England to cavort with the greats of classic rock, and emerged in the ’70s with ten albums of eclectic, progressive music with shamanic lyrics delivered with a twang.

We discuss “Woman” from Second Contribution (1971), “A Christmas Song” from Faces (1972) and “Mr. President” from Furthermore (1974), then play two songs from his new album, Continuance: “C’mon Round” and “Bach to the Fusion.” Opening music: “I’m a Loner (I’m a Drifter)” from I’m a Loner (1964). For more, see shawnphillips.com.

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NEM#76: Phil Manzanera’s Impossible Guitar

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Phil was a core member of Roxy Music through the ’70s and early ’80s, has released 10+ solo albums since 1975 and many collaborations—appearing on around 80 albums in total—with an experimental yet tasteful guitar that’s sometimes mistaken for a keyboard or something else.

We discuss “No Church in the Wild” from The Sound of Blue (2015), which is a cover of the song by Jay Z and Kanye West based around a sample from Phil’s song “K-Scope” from the album of that name (1970). We then talk about “Wish You Well” from 6:00pm (2004) and the title track from Diamond Head (1975). Finally we listen to “Magdalena” from Live in Japan (2017). Intro music: “Over You” by Roxy Music from Flesh & Blood (1980).
For more, visit manzanera.com.

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NEM#75: Nick Saloman (The Bevis Frond): Indie Every Day!

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Nick has released 22 albums as The Bevis Frond since 1986, alternating jangle-pop with psychedelia and power-guitar rock… pretty much anything ’60s-flavored.

We discuss “Longships” from Example 22 (2015), “Opthalmic Microdots” from White Numbers (2013), and “Coming Round” from London Stone (1992). We conclude by listening to “Portobello Man” from Valedictory Songs (2000). Intro: “He’d Be a Diamond” from New River Head (1991). Hear more at bevisfrond.bandcamp.com.

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NEM #74: Colin Moulding (XTC) Kills and Scatters the Editor

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As bassist/co-frontman for XTC, he released around 14 albums between 1978–2000, and for the first time since, he has a new release, the Great Aspirations EP now under the name TC&I.

We discuss “Scatter Me” and “Kenny” from this 2017 release, plus “Say It” an 2002 XTC song, and conclude by listening to “Where Did the Ordinary People Go?” the final 2005 XTC single. Intro music: “Making Plans for Nigel” from Drums and Wires (1979). For more, see facebook.com/tcandimusic.

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NEM#72: Sarah McQuaid Kills Her Darlings

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Sarah has recorded five solo albums since 1997, starting with traditional folk songs, sometimes guitar instrumentals, and now focusing on originals that mix British and American folk in a style influenced by Joni Mitchell, among others. She has lately pared back her songwriting to ensure that every note counts.

We discuss the title track and “The Silence above Us” from If We Dig Any Deeper It Could Get Dangerous (2018) and “Hardwick’s Lofty Towers” from The Plum Tree and the Rose (2012). Closing song: “Yellowstone” from Walking into White (2015). Opening instrumental: “The Day of Wrath, That Day,” also from the new album. For more, see sarahmcquaid.com.

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NEM#71: Aaron David Gleason Is a Wry Observer

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Aaron was born into show business, staring young in L.A. in the early ’00s with All Hours, then went solo, moved to New York, became an actor, and has now released his first album in seven years, Wry Observer.

We discuss the title track from that album plus “Brooklyn at Dawn” (the intro music is from that too: “The Last to Die in Battle”). Then we look back to “Box Office Stud” by All Hours (2004) and finish by listening to “Bright Lights” from the album Aaron David Gleason (2010). Learn more at aarondavidgleason.com.

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NEM#70: Amy Annelle’s Natural Environments

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Amy has recorded nine albums of emotionally stark but often artistically decorated original folk music, punctuated by cover tunes like the opening music here, Townes Van Zandt’s “Buckskin Stallion Blues,” which appeared in the film Three Billboards Outside Ebbing, Missouri.
We discuss “Mouth to Mouth” from The Autopilot Knows You Best (2000), “The Nightjar’s Blues” from The Cimarron Banks (2010), and “Natural Arc” from Songs for Creeps (2006), which also contains our closer, “I’m A-Gone Down to the Greenfields.” Visit amyannelle.bandcamp.com.

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NEM#69: Craig Wedren Catch-Up: “Safe Home/Fadeland”

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On NEM#15, Craig introduced us to his songwriting style: How a hardcore aesthetic informs even his most syntho creations, and how whimsicality and beauty can coexist harmoniously. Craig has since then released the Adult Desire album, and returns to talk to us about the song “Safe Home/Fadeland” and about the Adult Desire 360 VR application. Intro: “Amnesian Wedding March.” Outro: “I Was a Soldier.” Visit craigwedren.com.

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NEM#68: Billy James (Ant-Bee): Experimenting with Idols

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Billy now does press for many of his idols, but began as a drummer in music school and started Ant-Bee in the late ’80s, as a Zappa-esque improv live act and as a Beach Boys–psychedelic solo recording effort. He’s released four albums, increasingly featuring his clients.

We discuss two tracks from Electronic Church Muzik (2011): “Flutter-Bye, Butter-Flye” (feat. Michael Bruce) and “The Language of the Body” (feat. poetry by Gong’s Daevid Allen and layering on parts by Zappa alums). We then look back to two tracks from With My Favorite “Vegetables” & Other Bizarre Muzik (1994): “The Girl with the Stars in Her Hair” and a Beach Boys cover, “Do You Like Worms?” Opening/closing music: “Eating Chocolate Cake (In the Bath)” from Pure Electric Honey (1990). For more info, see ant-bee.com and glassonyonpr.com.

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NEM#66: Arrica Rose’s Dreamy Dramas

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Arrica has released five albums and three EPs of floaty, poetic, California rock since 2006.

We discuss “Whole Lotta Lows” and “X-Ray Eyes” from Low as the Moon (2017) and “When the Clouds Hang This Low” from Let Alone Sea (2011). We conclude by listening to “On and On” by Dear County from Low Country (2016). Intro music: “Sail Away” from Antebellum (2010). For more, visit arricarose.com.

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NEM#65: Jherek Bischoff Risks Every String

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Jherek started off as bassist in the late ’90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works.

We discuss the title track from Cistern (2016), “The Nest” featuring Mirah from Composed (2012), and “Blackstar,” featuring Anna Calvi, from a David Bowie tribute with Amanda Palmer called Strung Out in Heaven (2016). We conclude by listening to “Eyes” feat. David Byrne, also from Composed. Opening/closing music: “Automatism” from Cistern. For more info, see jherekbischoff.com.

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NEM#60: Alejandro Escovedo’s Hard Road

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Alejandro started as a punk guitarist for the The Nuns, moved to Austin in the ’80s and became a songwriter with True Believers. He has since put out 14+ solo albums of story-driven, lyrically intense, stylistically varied Texas rock.

We’ll be discussing “Beauty and the Buzz” from Burn Something Beautiful (2016), “Sally Was a Cop” from Big Station (2012), and “Pissed Off 2AM” from With These Hands (1996). End song: “Velvet Guitar” from A Man Under the Influence (2001). Opening: “Hard Road” from True Believers (1986). More at alejandroescovedo.com.

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NEM#59: Annie Haslam’s Renaissance: Sing Now, Figure It Out Later

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Annie fronted British symphonic rock band Renaissance for nine albums starting in 1971, but only in the late ’80s became a lyricist. She’s now released eight studio albums and two new Renaissance albums.

We discuss “Blessing in Disguise,” the title track from her 1994 album; “Grandine il Vento”, the title track from Renaissance’s 2013 album, and “Precious One” from Annie’s The Dawn of Ananda (2000). End song: “Symphony of Light,” also from Grandine il Vento.
Opening music: “Introlise” from Annie in Wonderland (1977) and Renaissance’s “Northern Lights” from A Song for All Seasons (1978). More at anniehaslam.com.

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NEM#57: Richard Amp’s Exploratory Atmospheres

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Richard F. Walker has released 20+ albums, usually with his London space-rock band Amp. We discuss “Just Get It (Why Don’t You)” and “Les Ombres Sur la Lune” from Q Factors (A Mixtape) (2017) and “Tomorrow” from Stenorette (1988), and listen to “Levil Devil” from US (2005). Opening music is from Transmissions (part 1) (2005), and closing music is from “Mort Irritées” from AMP Studio’s Uncertainty Principles (2016). More at ampbase.net.

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