• Skip to main content
  • Skip to secondary menu
Nakedly Examined Music

Nakedly Examined MusicNakedly Examined Music

Song Analysis with the Songwriter

  • Home
  • Episodes
  • Subscribe
  • About
  • Support
  • Mark’s Music

jazz

NEM#166: L. Shankar’s World of Violin and Voice

February 19, 2022 by Mark Lint Leave a Comment

Shankar played with John McLaughlin in Shakti in the mid-70s and has released over 25 solo albums while backing A-list artists including Phil Collins, Peter Gabriel, Frank Zappa, Elton John, Bruce Springsteen, Eric Clapton, Metallica, Korn, and more.

We discuss “Can’t Wait” (feat. Jonathan Davis) from Chepleeri Dream (2020), “Back Again” from M.R.C.S. (1991), and “Darlene” from Touch Me There (1979), plus we introduce “Savior” from Christmas from India. Intro: “Psychic Elephant” from Vision(1983). For more, see lshankar.com.

Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Sponsors: Get 15% off at Masterclass.com/NEM. Upgrade your showering at nebia.com/nem (code NEM). Hear Chuck D. host Words + Music at audible.com/songs.

NEM#155: Melvin Gibbs Protests w/ Bass, Jazz Composition, Production, Sound Design

September 3, 2021 by Mark Lint 2 Comments

Melvin has played bass on over 200 albums since 1980 in the worlds of jazz, rock, and hip-hop, and has numerous songwriting credits, playing with Defunkt, Arto Lindsay, Henry Rollins, Bernie Worrell, Vernon Reid, etc.

We discuss his solo tune featuring Kokayi “Get Some” from 4+1 Equals 5 for May 25 (2021), the title track from The Terror End Of Beauty (2018) by his trio Harriet Tubman, and “Howard Beach Memoirs” by Power Tools (with Bill Frisell and Ronald Shannon Jackson) from Strange Meeting (1987). We end by listening to “Canto por Odudua” by Melvin Gibbs’ Elevated Entity from Ancients Speak (2009) Intro: “Melvin’s Tune” from Defunkt (1980). More at music.melvin-gibbs.com.

Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Sponsors: Visit HelloFresh.com/examined14 and use code examined14 for up to 14 free meals with free shipping. Save 10% on Nebia shower stuff by using code nem at nebia.com/nem (excludes pre-order products).

NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation

October 10, 2020 by Mark Lint 3 Comments

Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.

We discuss “Unknown Wish” from Seeing Through Sound: Pentimento Volume 2 (2020), “Manga Scene” from Listening to Pictures: Pentimento Volume 1 (2018), “Toucan Ocean” from Vernal Equinox (1977), and listen to the title track from Last Night the Moon Came Dropping Its Clothes in the Street (2009). Intro: “Chemistry” by Jon Hassell/Brian Eno from Fourth World Music I: Possible Musics (1980). For more see jonhassell.com.

Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

© 2026 · Nakedly Examined Music