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experimental music

NEM#138: Markus Reuter: Composer or Tap Guitar Hero?

December 18, 2020 by Mark Lint Leave a Comment

Markus began composing as a teen, “found his tribe” in getting connected to King Crimson’s Robert Fripp in the early 90s, and has put out 40+ solo and collaborative albums of experimental music since 2000, including work in Stick Men with Crimson’s Tony Levin and Pat Mastelotto.

We discuss “Swoonage” from Truce (2020), “Boon” by Marcus Reuter and the Matangi Quartet from String Quartet No. 1 ‘Heartland’ (2019), and “11-11” by Tuner (Pat Mastelotto and Markus Reuter) from POLE (2007), and end by listening to “The Cult of Bibbiboo” by centrozoon from The Divine Beast (2001). Intro: “Condition IV” from Falling for Ascension (2017). More at .

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NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation

October 10, 2020 by Mark Lint 3 Comments

Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.

We discuss “Unknown Wish” from Seeing Through Sound: Pentimento Volume 2 (2020), “Manga Scene” from Listening to Pictures: Pentimento Volume 1 (2018), “Toucan Ocean” from Vernal Equinox (1977), and listen to the title track from Last Night the Moon Came Dropping Its Clothes in the Street (2009). Intro: “Chemistry” by Jon Hassell/Brian Eno from Fourth World Music I: Possible Musics (1980). For more see jonhassell.com.

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NEM#116: hackedepicciotto: Nomadic Cinematographers

February 28, 2020 by Mark Lint Leave a Comment

Einstürzende Neubauten’s Alexander Hacke and artist/singer Danielle de Picciotto have released seven albums of often instrumental, always experimental music together since 2011, the last four as hackedepicciotto.

We discuss “The Banishing” and “Third From the Sun” from The Current (2019) and “Propehcy” from Menetekel (2017), plus intro music is “Let There Be Joy” from Joy (2018). We conclude by listening to “Survivors” from Danielle’s solo album Deliverance (2019). For more, see hackedepicciotto.de.

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NEM#103: Homer Flynn on The Residents’ 50 Years

August 16, 2019 by Mark Lint Leave a Comment

The Residents were formed in 1969 and have released around 50 albums of theatrical, experimental music with humor and humanity. They’re great to freak people out with. The band is anonymous; Homer is the head of their management arm, The Cryptic Corporation.

We discuss “Good Vibes” from Intruders (2019), with music by Eric Feldman who replaced long-time Residents composer Hardy Fox upon his retirement in 2015 (and his death in 2018); “Blue Rosebuds,” both the original Duck Stab (1978) version and the live Shadowland (2014) versions; “Kiss of Flesh” from God in Three Persons (1988); and we conclude by listening to “If Only” from the new Hardy Fox tribute album “The Godfather of Odd.” Intro: “Fire (Santa Dog)” (1972) and outro: “The Simple Song” from Commercial Album (1980). For more, visit residents.com.

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NEM#95: R. Stevie Moore Just Happens… Frequently!

April 4, 2019 by Mark Lint Leave a Comment

Stevie has been recording pop tunes and/or wild experiments nearly continually since the late 60s, with hundreds of albums, many of them compilations of home recordings.

We discuss “Pop Music” and “Take Back” from Afterlife (2019) and “The House Is Not in Order” by R. Stevie Moore and Alan Jenkins and the Kettering Vampires from The Embodiment of Progressive Ideals (2018) and conclude by listening to “I H8 Ppl” by R. Stevie Moore and Jason Falkner from Make It Be (2017). Bonus songs: “Pervert” from World War 4 (2016) and (at the end) “Goodbye, Piano” from Phonography (1976). Intro: “I Like to Stay Home” from Glad Music (1986). For more, see rsteviemoore.com.

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NEM#57: Richard Amp’s Exploratory Atmospheres

October 22, 2017 by Mark Lint 1 Comment

Richard F. Walker has released 20+ albums, usually with his London space-rock band Amp. We discuss “Just Get It (Why Don’t You)” and “Les Ombres Sur la Lune” from Q Factors (A Mixtape) (2017) and “Tomorrow” from Stenorette (1988), and listen to “Levil Devil” from US (2005). Opening music is from Transmissions (part 1) (2005), and closing music is from “Mort Irritées” from AMP Studio’s Uncertainty Principles (2016). More at ampbase.net.

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